
Cutting dialogue like you mean it
When to stay on the speaker and when to cut away, without telegraphing the move.
Read the pieceOccasional, practical writing about editing, color and retouching — the kind of notes we wish someone had handed us when we started.

When to stay on the speaker and when to cut away, without telegraphing the move.
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Over-saturation, mismatched skintones and the habits that give amateur color away.
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When to add grain back and how to keep it consistent across the set.
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